Showing posts with label Whitesnake. Show all posts
Showing posts with label Whitesnake. Show all posts

Thursday, January 07, 2016

January 7 - Empire of the Clouds

Iron Maiden. I have to admit, I thought they were done when they released the not so good No Prayer for the Dying. I didn't really think it had much to do with Adrian Smith leaving - at least not in my eyes - it was just... Boring... More of the same - or maybe not the same. Then Bruce Dickinson stopped singing for them and left, and I really lost track of Iron Maiden.

But before losing track of them, I found them. Back in 1984-85, I was in elementary school  - 6th grade at Strindheim Barneskole. If memory serves me right, it has to have been one of the most important years of my life, as so much of who I was really was formed that school year and following summer. Looking at ripple effects again, this was the year everything really started changing. Three key friendships formed that year, and it all started with a fight.

When I started elementary school back in 1979, I was put in a class with about 30 kids - and they were mainly from my neighborhood with some from adjacent areas. One of the boys in my class, Arve, was one of my more peripheral friends until he moved away in third grade, I believe, following his parents' divorce. He only moved to the other side of town, but since he at that point probably was more of an acquaintance than a friend, he might has well have moved to the other side of the world. At that time, it was very much out of sight, out of mind. However, he came back to start sixth grade with us. I am still not sure exactly why we fought - I think he wanted to show how tough he was by taking on the biggest guy in class, maybe not realizing he also was taking on the biggest wuss - or at least one of them. This happened during the long midday recess, and it happened in the schoolyard, so it caught the attention of the teacher on outside patrol duty. The fight hadn't been vicious, it was much more of a brawl where I think he was trying to lift me off the ground, so no punches were thrown, and nobody was hurt, so the teacher was ingenious in her approach to conflict resolution: Why didn't the two of us go inside and talk it out. I cannot thank her enough for that. I don't remember what we talked about, but Arve and I really haven't stopped talking since. It's not that we talk often anymore - being on different continents kinda stops that - but when we talk, we still pick up where we left off, so it is a really good friendship to have carried along for now more than 30 years.

The second friendship formed was with Jan Are. This was a friendship that was formed over a shared love for music - or what passed as heavy metal back in the mid 80s (which is quite different than what people now consider heavy metal). The way I remember it, he came up to me asking me if I liked "heavy" - and when I confirmed this, he said that he did too, and we started talking. Very early on, he borrowed Deep Purple's Made in Europe from me, and I was introduced to Iron Maiden when I borrowed Powerslave from him. Throughout our teenage years, which were about to begin at this point, Jan Are introduced me to a slew of great music - without him and his brother, I would not have listened to Rush or Marillion, so I am not sure where I would have been when it comes to the progressive music that I love without them. Jan Are also introduced me to alternative and more extreme metal (for then) - such as Voi Vod, Slayer, Venom, and Celtic Frost. He was also the one who had lent me the two Whitesnake tapes (Love Hunter and Ready an' Willing, I believe) I had in my pocket when I made the third important friendship that year, at the end of the summer break before starting 7th grade at Rosenborg Ungdomsskole.

Looking back, it is really amazing how all of these events are connected. It was a chance encounter that led me to meet Jon Inge - an encounter that is better chronicled under Radio Days vol. 1 and Radio Days vol. 2. But what didn't strike me until I started writing it this time was that all of these friendships started within the span of one year, and in many ways, that year is the year that really shaped who I was to become, because the events of that year still reverberate.

Anyway, I did indeed find Iron Maiden through Jan Are that year, and I soon had taped copies (tape to tape copying has a lot of loss, but at least I did have the music to listen to) of most of their albums - and with Xeroxed cassette covers including lyrics as well (to all members of EMI and the Iron Maiden family: I have since purchased all of the albums on CD - and I had some of them on vinyl and some on tapes I also purchased as well - and I think this is well past the statute of limitations for these transgressions). And while I lost interest in new music from them for a while, I started finding my way back when they released the outstanding DVD, The History of Iron Maiden – Part 1: The Early Days in 2004. I had seen the album Dance of Death in the stores, but I wasn't really feeling the new releases yet. That started changing with both A Matter of Life and Death (2006) and The Final Frontier (2010), but as I was listening to The Book of Souls (2015), I found my jaw dropping more and more. I had planned on playing it in the background while doing some grading, but I found that the grading was pushed to the back burner and the music took center stage. I did not expect an Iron Maiden album to be found on my list of best releases of 2015, but it is definitely there, and the crowning achievement is the 18 minute epic, Empire of the Clouds. I have always liked Iron Maiden's long songs - such as To Tame a Land from Piece of Mind (2983) and The Rime of the Ancient Mariner from Powerslave (1984), and Empire of the Clouds, which is about R101, the British airship that was the worlds biggest aircraft in 1929 and crashed in France during its maiden voyage in 1930. Please enjoy!



Monday, June 14, 2010

Radio Days vol. 2

After my nervous and fumbling introduction to live radio broadcasts, it was time to set up a meeting with The Guy - the one responsible for Flazz (creative spelling of dandruff, which is a known side effect of long hair - which is what the rockers were supposed to have). I was told he would be in the studio taping next week's show the coming Friday, so after school I once again got on the bus and took it up to Flatåsen, which was the name of the suburb where Studio 45 was located.

I remember being nervous, and my jean jacket was replaced with a grey and pastel yellow coat for the occasion - which is significant, as it had pockets that could be zipped up. I entered the control room, where The Guy was going over the plans for the show with his engineer, but something seemed off... There was something with the eyes of the engineer that didn't look quite right, and there was a dog in the studio - with a white harness. It was a seeing eye dog - and the engineer was Steinar Stjerna, who was blind, but really taught me all I needed to know about engineering.

I think this is an aside worth mentioning, because Steinar really taught me to rely upon my ears rather than my eyes when doing any kind of sound engineering. While this may seem self-evident, it is very common to look at the VU meters to try to keep them fairly level throughout a broadcast - but what that does not take into consideration is the dynamics. Someone talking does not have the same fullness or body as a band playing together, and this fullness also translates as higher volume (also, different pitches played at the same volume registers at different volumes by the human ear) - meaning that even though the VU meter may be nice and steady hovering around the same reference point, the subjective experience is that the music is played louder than the people talking. This is what Steinar effectively taught me - it was a "use the force, Luke" moment, when I was able to move away from relying on instruments and rather focus on what I could hear.

Anyway, The Guy turned out to be a high school student, already sporting his trademark mustache (which now is gone). He was 4 years older than me (which would have made him 17 at the time), and we quickly developed a friendship that still is strong. His name was Jon Inge Lund, and after getting the initial information as well as some more information about what music I liked, he pointed to the angular rectangular bulge in my coat pocket and asked what tapes I had brought with me. I pulled out two cassettes I had borrowed from Jan Are, probably that same day, and they were Whitesnake's Love Hunter and Ready an' Willing. Seeing that I had two tapes from one band, he quickly asked if I knew anything about them - we could maybe do a special show on Whitesnake? Unfortunately, I didn't know a whole lot, so the plans for a Whitesnake special was shelved. However, I did join Flazz, and I quickly adapted to the show's special feature: Heavytoppen, which was a hard rock top 10 (or maybe 6, I don't remember the number of songs) where we invited listeners to both nominate songs and vote on them. It was a rather ecletic list, with Mercyful Fate's Night of the Unborn, Accept's Fast as a Shark, and, later on, one of my favorites: Deep Purple's Perfect Strangers.

On that note, I think it is time to finish up this installment of Radio Days. As usual, I will leave you with a little music. For those of you who only know Whitesnake from their late 80s music (Still of the Night, Here I Go Again, Is This Love etc.), it is worth knowing that they started out as a very blues based outfit, right from the ashes of Deep Purple. It has always been David Coverdale's band, and he eventually grabbed first Jon Lord, then Ian Paice from Deep Purple for some of his late 70s and early 80s recordings. One of my favorite Whitesnake songs was on the very first album, but I loved it from their Live... From the Heart of the City album: There Ain't No Love in the Heart of the City.


Then, straight from Heavytoppen, Deep Purple with the title track from their 1985 comeback album, Perfect Strangers: