The first part sets the song up - and frankly, if that was all there was to this song, it would still be a winner. However, the second part further enhances the song, providing a heavier edge, before the anesthesia sets in with a coda that ebbs and flows in sedated waves. The musicianship is stellar throughout. Gavin Harrison switches between establishing rolling grooves and intricate embellishments, Colin Edwin's bass drives it forward, and Richard Barbieri's use of soundscapes and organs alternates between atmospherics and adding pure fatness to the sound. John Wesley is heard especially in the third part which is more atmospheric in general - and Steven Wilson is all over this beauty of a song.
I believe this is one of the very best prog songs ever written - it is my personal Porcupine Tree highlight and well worth listening all the way through. Prepare to be sedated.
No comments:
Post a Comment